This is currently an Adobe Premiere edit.Ĭovid cancelled some of the regular corporate events that I edit such as trade shows & events. I'm proud to be part of a very creative team that has pioneered many new ideas and workflows that are now industry standard in sports' production.
The Tour was the first broadcast show to adopt FCPX working for multiple editors on shared storage.īBC's Snooker has played a big part in my life, I've been editing tournament coverage since 1997. 2020 was my 25th year of editing the TdF and my 20th year as lead editor. The shows have also been nominated for a 2021 BAFTA.Īlthough both were postponed to later in the year, I worked again on ITV's coverage of the Tour de France and La Vuelta. It has been recommissioned by C4 for 60 episodes, including prime-time versions and five themed programmes. It has been a great success and the shows grabbed more viewers in the 4pm weekday slot than any previous strand. I also designed and built the majority of the graphics as Motion templates. Though I haven't yet tried to herd a flock of sheep through the city centre! Current EditingĢ020 has been busy, the beginning of the year was finishing off a new property series (cut on FCP) for Channel 4 called The Great House Giveaway. I was made a Freeman of Lichfield through The Worshipful Company of Smiths (established 1601). Under the name Idustrial Revolution, I have written and sold plugins for Final Cut Pro for 13 years. I have also worked as a broadcast and corporate editor for over 30 years, starting on one inch tape, working through many formats, right up to today's NLEs. I am the Editor-in-Chief of FCP.co and have run the website since its inception ten years ago.
As a bonus, we’ll take a look at how to make an export preset using Compressor, for faster export of your HDR Video.' WE’ll first take a look at how to use HDR footage in SDR projects, then how to edit and export your video in Dolby Vision HDR. In this video, we’ll take a look at how to properly deal with Dolby Vision HDR footage from the new iPhones. The only issue, when not handled properly, the iPhone 12 footage can look washed out in Final Cut Pro. Dolby Vision look amazing, with 10-bit color, and higher dynamic range. 'The new iPhone 12 comes with the first consumer camera to support Dolby Vision HDR video. More information can be found on Apple's site Edit HDR video recorded on an iPhone 12. A comprehensive explainer tutorial from Serge M. We have come across this problem a few times and this is probably the best tutorial on why the burnt-out iPhone 12 footage happens, how to fix it in Final Cut Pro and how to toggle your iPhone back to SDR recording if you wish.
You can't just drop iPhone 12 footage into a REC 709 project in Final Cut Pro, Serge M explains why and more importantly, how to fix it.
0 kommentar(er)
